The Steer (The Bull), 1911, Franz Marc
The Steer (The Bull), 1911, Franz Marc
The Card Player, Fernando Botero
Landscape with a steam locomotive, 1909, Wassily Kandinsky
Medium: oil,canvas
Guerrillas, Fernando Botero
Winding River, Edgar Degas, 1890, Minneapolis Institute of Art: Prints and Drawings
S-shaped path in an abstracted landscape; greens; pinks in foreground, LLQ; rust-oranges in spots scattered throughout; pinkish-orange sky Winding River is simultaneously a landscape and an abstraction. Colorful and poetic, it recalls Impressionism but was certainly not painted directly from nature. Rather, Edgar Degas relied on imagination and perhaps also memory, loosely basing this monotype on a Japanese color print made in 1856 by Utagawa Hiroshige, whose work Degas collected. As with many of the nearly fifty landscape monotypes he produced from 1890 onward, Degas began this work by painting in dilute oils on a smooth copper plate, then used a printing press to transfer the image to paper. Continuing to experiment, he turned to drawing and augmented the picture with pastel crayon.
Size: 11 5/8 x 15 9/16 in. (29.5 x 39.5 cm) (sheet) 12 ½ x 16 ¼ in. (31.7 x 41.3 cm) (mount) 21 ¼ x 25 1/8 x 1 7/8 in. (53.98 x 63.82 x 4.76 cm) (outer frame)
Medium: Oil monotype and pastel on heavy paper; laid down on paper-wrapped millboard
Joni Mitchell, 2020.
Young Girl, 1962, Fernando Botero
Two Human Beings, The Lonely Ones, Edvard Munch, 1894 (printed 1896 or later), Minneapolis Institute of Art: Prints and Drawings
man in dark suit and woman with long hair in light dress, seen from back, looking out toward water
Size: 6 5/8 x 9 in. (16.83 x 22.86 cm) (plate) 10 ½ x 16 7/8 in. (26.67 x 42.86 cm) (sheet)
Medium: Drypoint, roulette, and plate tone in dark brown ink
The Girls on the Bridge, 1901, Edvard Munch